TonalityGUIDE - basic tonal music theory and analysis for undergraduates
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introduction diatonic chromatic

introduction | fifths | seconds | thirds

introduction | perfect cadence | imperfect cadence | plagal cadence | seventh chords

introduction | major | minor | half-diminished | diminished

Chords ii7, iii7 and vi7 in major keys and iv7 in minor keys (along with i7 in the natural minor) are known as minor sevenths - both the third and the seventh above the root are minor intervals. In the major, ii7 often forms part of the cadential progression ii-V-I and a perfect cadence is sometimes reached with even longer chains of non-dominant sevenths - each resovling onto the chord the fifth below (see chains of fifths).



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TonalityGUIDE - Tonal Harmony and Voiceleading - Table of Contents